தமிழ் ஆங்கிலப் பக்கங்கள்

வியாழன், 2 நவம்பர், 2023

Maintenance of a Temple - Part 1

Once upon a time Bangalore was known as “Pensioner’s Paradise”.  Later it is was known as “Garden City”.  Now,  the Paradise is gone,  the Garden is going and  is getting replaced as “Silicon City”! 

Strengthening Bangalore’s reputation of Pensioners paradise,  there is a mention of a pensioner in a stone inscription in the  year 1799 itself.  And this stone inscription is documented in the  Epigraphia carnatica Vol 9, compiled by Benjamin Lewis Rice, the Director of the Mysore Archaeological Department and released  between 1894 and 1905.

In this inscription referenced as “Bn – 15”,  Sarangu Sadupperi Sabhapati mudaliyar who identifies himself as a pensioner has  donated his  house to Ulsoor Sri Someshwara Temple.  Probably he was a government employee under British  India and got retired from the services. 

What  made him to donate his house to the temple? Anyhow temples are  built by Kings or by people close to him or by wealthy individuals;  Why  can’t the king directly take care of the maintenance of the temple?

After all,  maintenance  of a  temple is like that of maintaining a house.  The only difference is in its size.  Most  of the  temples are huge.  Also, many of the temples comes with their own gardens, wells and  ponds too.  And there are festivals to  be taken care. Most importantly, it is a public place open on all 365 days for worship. So, the cleanliness and safety of the property is of utmost importance.

Here is  where our kings have excelled in their governance.  They have donated huge cultivatable lands, cattle and many other properties to temples and the earnings from them are to be used to take care of temples.  This is a form of delegation of duties to others and at the same time empowering them with resources! They have also encouraged people from his ministry and other individuals to make donations as well take part in renovation works.  This is a form of community involvement !   This is how lots of dancers, musicians and scholars were  associated with the temple activities and in turn got nurtured by others.

It feels good  to learn that even under British  rule, individuals continued the noble practice of taking care of the temples.  This is understood by this pensioner’s donation to Ulsoor Someshwara temple.

Yet, various famines, continued tax burdens on people by British and a lack of priority for the British Govt to safeguard the cultural heritage of India had resulted many temples in sad states.

Recently I came  across a British era photograph of Ulsoor Sri Someshwara temple.  The temple was in a bad state.  I felt the  sad  realisation of  how the local governance schemes set by our kings have collapsed after their fall.  Various wars,  invasions of Mughals, British rule and the famines have led to the neglect of the temples. This photograph is  a classic example of  how cultural  significance  of India suffered.

This  temple has a long history too.   As per  historians,  the garbhagriha (sanctum sanctorum) and the  worship hall next to it were built during the Chola dynasty and the bigger hall and other structures are built during Kempe Gowda dynasty.  The Kamakshi temple was built during Mysore Wodeyar dynasty.  The small shrines around the complex are  recent additions. 

Ulsoor Sri Someshwara Temple, Year 1890,
Photograph credit: wikipedia
 
















This is the photograph of  Bangalore Ulsoor Someshwara temple taken around 1890. It shows the top portion of the temple tower  is bare and the bottom portion with some faded white wash.

Damages to the structures






In this photo, we  can observe  on either side of the tower that the top portions of the compound wall are broken. There is a pile of stones in front of it. On the left side grasses are seen on what looks like a temple cart.

The "Pothigai" is lying on the pedestal












The pedestal of the “Deepasthambam” (a free-standing column for lighting oil lamp) seems to be in ruins. 

This Deepasthambam is probably  40 feet high. (I just calculated based on where the 5-6 feet men are standing in the previous photo).  Normally every Deepasthambam has a decorative element at the top called, “Pothigai”

Unfortunately,  what is supposed to be on top of this column,  this “Pothigai” is  lying down on the pedestal.  It is a wonder how it happened or who  made it happen!

Deepasthambam in Sep 2023













The "Pothigai" is back at the top











When  I went to this temple  for the very first time in Sep 2023,  I  was  very  eager  to see if the Deepasthambam still exists.

I  was  very joyous  to  see  this tall magnificent Deepasthambam standing majestically.  Most importantly the “Pothigai” is  back at the top where it really belongs.  Somehow,  some one or rather many people may have come together  to renovate the  Deepasthambam to its original glory! 

Apart from artistic beauty, pillars have an additional function of bearing the weight of the roof over it.  Deepasthambams does not have any such functionality.   Yet, those days these were used illuminate the surrounding area and beautiful minds of the people.  I remember the practice of lighthing huge oils lamps on these Deepasthambams on the darkest “No moon” days (Ammavasya),  and during festivals in our village temple. This event had a physical as well as  cultural significance.   I am grateful  for this renovation here.

Temple construction itself is a challenging task and needs experts from different fields involved in it.  Making of the Deepasthambams pose different sets of challenges too. “Stapathi” (the  artist/Architect who works with the stones),  selects a long continuous rock of more than 40 feet,  gets it cut to the size, shapes it and decorates it.  Then this column is brought to the temple site. Suitable foundation is prepared and this free-standing column(Deepasthambam) is placed  vertically.  How smart and knowledgeable our ancestors should have been who had executed this sophisticated task!

Year 2010, Photograph credit: gettyimages












This  photograph taken in 2010  shows that the  top portions of the  compound wall  has  been  repaired on either side of the tower. The right-side wall has been  painted as white and saffron  stripes. There is a shop in front of the left side compound wall.  The original structure on the  top portions of the right side compound wall is gone(the  sloping shape is missing),  a  new plain vertical  construction has  replaced it.  The colour painting on the tower is faded.  All these changes would have happened long back.  I could not come across any photos of the previous years. This is the oldest I found on the internet.

Year 2010 or 2011
Phtograph credit: 
kskrishnan.blogspot.com










This photograph taken around 2011 shows the  shop on the left side is removed;  The top portion of the left  compound wall is damaged.

Year 2010 or 2011
Phtograph credit: 
kskrishnan.blogspot.com












This  photograph shows heaps of  cut stones in front of the tower.  Probably it is for the renovation of the compound walls

Year 2017,  damage to the compound wall reported
Photograph credit: Bangalore Mirror
















In 2017,  “Bangalore Mirror” has  reported that a  portion of the compound wall on the rear side of the temple on Sundara Mudaliar Street has been  damaged.  It also states that  authorities have renovated only other  parts of the  compound wall in the past

Photograph credit: Bangalore Mirror










In 2019,  “Bangalore Mirror” provides an update that the original compound wall is removed and a new one is being constructed on Sundara Mudaliar Street.

The new compound wall being constructed seems to be of two vertical layer construction.

In general, the temple compound walls  will be of  two vertical layer construction with the centre space filled with mud and loose stones or  simply left empty.  The top portion will be covered with horizontal  stone slabs joining the two vertical walls. These stone slabs will be slightly bigger than the total width of the walls  below.  It  will be protruding slightly outside on either sides so that that joint is not directly exposed to rain. To prevent seepage of rainwater into the centre of the compound walls,  a sloping structure in the form of a cross section of a diamond will be constructed  on the horizontal stone slabs with bricks.  Finally, this brick structure will be plastered.  This top sloping structure will divert the rain waters away from the top of compound walls. The twin vertical wall construction provides bulk, strength and protection to the temple. Such is the ingenuity of our ancestral Engineers!

Sep 2023,  the compound wall adjoining the entrance tower



















I have taken this photograph in 2023. The top portion of the tower looks beautiful with its colour painting.  The  beauty of the original  compound wall is missing. Yet we  can  console ourselves that  cut stones instead of “hollow” cement blocks are used! 

The original compound walls in the front, rear and on the southern sides have been fully removed and replaced with a new construction as shown above.  On the northern side,  around 3/4th of the original compound wall is retained fortunately. Both the  corners of this stretch have new walls.

Northern compound wall as seen from  outside the temple



















At  regular intervals,  horizontals stones are placed between the two vertical walls with a lock mechanism. These stones are protruding a little outside the surface of the wall as seen here. I also noticed  small sculptures at the bottom of the wall at few  places.

Northern compound wall as seen from  inside the temple.













Where the stripes  stop,  the  new compound wall starts at the far end of this photo


Where the original and new compound walls  meet




















In this photograph, we  can see the  new wall  joining the  original compound wall.  We can also notice  a horizontal interlock stone(shown in blue circle) with its simple yet powerful lock mechanism here.  How horribly this joining portion has  been left  unfinished. Now the rain water  can  easily seep into the  original compound wall, leading to its collapse!

How sophisticated, yet simple was the original compound wall construction! Now this has been totally unappreciated, neglected.  What is more shocking is such a poor  finish is carried out in a temple which is mostly crowded and amidst the  busy Ulsoor area.  I felt angry that an  ancient temple received such a treatment.  I yearn that this original compound wall portion is preserved by some intervention.  I felt helpless that I do not know how and to whom this can be  escalated so that a fair finishing work can be carried out properly.

We live in an  era of successful moon landing, sophisticated Bangalore  metro train network and  the mighty KRS dam built decades ago.  Compared to all these,  retaining the original compound wall with  a  proper finish is a very easy task. Hope it is taken care soon.

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There is lot more to know about this temple’s evolution over the years!

I have covered  the changes to the flooring, details of unearthing of a lost pond (Kalyani) and one more interesting find in  Part 2   …

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